Embroidery
Articles - Assisi Embroidery from Italy
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| Beth Gardner active in Santa Clara Valley
and Gavilan Hills chapters, wrote a series of columns on embroidery
for her chapter newsletters. The 2002 series highlighted
embroidery done with a sharp needle; 2003 features a world
tour of ethnic embroidery. She has graciously made the columns
available for all Region members to enjoy. All articles
are copyrighted by Beth and used by permission. Contact
for
questions or reprint permission. |
The Traveling Thread
© 2003
This year I’ll be researching embroidery techniques from
around the world. Each column will feature a different country
and technique native to that country.
This month we travel to Italy to try our hand at Assisi work.
Assisi is also known as silhouette embroidery, counterchange embroidery
or voided embroidery because the motifs themselves are outlined
and void of stitching; the area outside the motifs is filled with
counted work. Today’s Assisi work is generally done with
counted cross stitch but early examples found in the Victoria and
Albert Museum show the counted work done with long arm cross, Italian
cross, satin stitch and even a four-sided pulled stitch. Historically,
the counted work was done in dark red and sometimes dark green
or dark blue. Early work was not usually outlined, as we see it
today, nor was the filigree work surrounding it that we do today
in Holbein stitch present.
History
Legend has it that Assisi work originated in Assisi, Italy after
St. Francis was canonized in 1228. A nun at the Franciscan convent
copied in simple line drawings typical of this time period, some
of the motifs in the church murals that depicted St. Francis’ life.
The nuns copied the motifs onto linen and filled in the area outside
the motifs with counted work. Early Assisi work was strictly ecclesiastical
and stitched as alter cloths by nuns and was characterized by stylized
animals and birds, and sometimes flowers, presumably because St.
Francis is the patron saint of animals and ecology. By the 17th
century, countries that had a strong tradition of counted work
were incorporating Assisi-style work into their native styled embroideries.
As with much historical embroidery, Assisi fell out of favor in
the 18th and 19th centuries. In the early 20th century, women of
Assisi revived the art of the 13th century embroidery and so it
is referred to as Assisi embroidery today.
Modern Assisi work is decorated with a Blackwork filigree stitch
around the edge of the counted work, called Holbein stitch. The
stitch is so named because the 16th century painter, Hans Holbein,
painted many detailed portraits of King Henry the VIII’s
court with very detailed double running stitch decorations on their
shirt collars, cuffs and linens.
Assisi Technique
Assisi may be worked by either completing the motif outlines first
and then filling in all the counted work or by completing the counted
work first. I prefer to do my outlines last to smooth out the edges
of the cross stitches. The interior outlines are usually done with
a back stitch, rather than a double running stitch. The counted
work is usually cross stitch, but it would be nice to see some
examples done with the other counted stitches mentioned above.
The filigree stitch is usually done last and is done as a reversible
Holbein stitch. Traditionalists can stitch with the early dark
colors but today anything goes with Assisi work and it is lovely
in overdyed thread if you complete each cross as you come to it.
Resources
Copyright © 2003 by
, used by permission.
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