Embroidery
Articles - Ayrshire Embroidery
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| Beth Gardner active in Santa Clara Valley
and Gavilan Hills chapters, wrote a series of columns on embroidery
for her chapter newsletters. The 2002 series highlighted
embroidery done with a sharp needle; 2003 features a world
tour of ethnic embroidery. She has graciously made the columns
available for all Region members to enjoy. All articles
are copyrighted by Beth and used by permission. Contact
for
questions or reprint permission. |
The Sharp Needle
© 2002
Ayrshire embroidery is a Scottish whitework technique. Like
Irish Mountmellick work, the technique was introduced to poor Scottish
women so that they could supplement the family income with their
embroidery. Unlike Irish Mountmellick work, Ayrshire embroidery
is much finer and more delicate than the coarser Irish Mountmellick
work. Ayrshire work consists of delicate floral designs on
very fine cotton muslin and lawn. If the work includes a
lot of filling stitches, it is considered European needlelace. The
early stitchers were referred to as ‘flowerers’ because
of the floral motifs they created.
Herstory
In 1814, Lord Montgomerie died in Spain (one account says Sicily)
of consumption and his widow, Lady Mary Montgomerie returned to
their estate in Ayr, Scotland. She brought with her a beautiful
baby’s christening gown, made by a French needle worker. This
gown had delicate eyelet embroidery and overcast fillings, fine
satin stitches and beautiful lace stitches that were inserted in
the cut out spaces within the design. Lady
Montgomerie lent the christening gown to a Mrs. Jamieson, the wife
of an Ayr cotton agent and asked her to duplicate the designs on
the gown, and then to teach the poor women in the Ayr district
the technique, thus creating a much-needed income for the families. Mrs.
Jamieson, together with her two daughters, all of whom were accomplished
embroiderers, studied the beautiful overcast filling stitches and
patterns, added more lace filling stitches and then in turn taught
the technique to outworkers, who were mainly farmer’s wives
and their daughters.
In the 19th century, a needlewoman of Ayr doing Ayrshire
embroidery could earn the same income as a bobbin lace maker of
Devonshire. Mrs. Jamieson set high standards for her outworkers,
only accepting embroidery that was perfectly executed. More
than one person would work a design; the embroiderer who specialized
in the fine lace stitched fillings would be paid at a higher rate
than the previous embroiderer who may have done the satin stitches
and eyelet work.
Ayrshire work was sold all over the world, including North America.
This style of embroidery began its decline during the US Civil
War in 1861 to 1865 when the northern states formed a blockade
to cut off the cotton grown in the southern states, which was
being exported to Britain. The Scottish muslin trade never recovered
from this lack of supply. As women’s fashions
changed there was less of a demand for the fine floral embroidery. The
end to Ayrshire embroidery came when the Swiss invented a machine
to duplicate the eyelet holes and lace stitched wheels, undercutting
the Scottish handwork.
Ayrshire Technique
Ayrshire work is typically done in hand; a hoop is only used
for the lace fillings, pulled thread and drawn thread work. The
lace fillings create dark and light values to the work, as well
as texture.
Ayrshire incorporates trailings which are tiny satin stitches
over a padded outline stitch, eyelets, padded satin stitch and
seed stitch.
Appliqué and shadow work are rarely used. And
since this is The Sharp Needle, Ayrshire work is stitched with
a sharp needle.
References
Ayrshire and Other Whitework, Swain
http://www.heritageshoppe.com/heritage/essays/essay02.html
http://www.claeysantique.com/preciouseight.html
(good pictures of Ayrshire embroidery)
http://www.maybole.org/history/articles/gown/ayrshirchristeninggown.htm
http://www.accomplishments-shop.com/ayreshire.html
Some text compliments of Rosie Hughes of the Victorian Embroiderer’s
Guild in Melbourne, Australia via the EGA internet list.
Copyright © 2002 by
, used by permission.
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